1973
My name on a monster
Flesh for Frankenstein
I let them put my name on the front and Paul do the work in the back. It is disgusting and pretty at the same time, which is...
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The Screening Room · 1953
The face I could not stop printing
Marilyn Monroe: Gentlemen Prefer Blondes
I painted her the week after she died, fifty times, in every color, because one was not enough to keep her. Watch her here while she is still moving. It is the only version where she gets to sing.
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More from The Screening Room
1973
1963
Liz, in gold, being expensive
Cleopatra: Elizabeth Taylor
The most money anyone ever spent to make one woman look like a coin. I painted Liz because she was always almost dying and always on the cover....
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1966
My movies, finally sitting still
The Chelsea Girls & Warhol Films
I made films where nothing happens for a very long time and then something terrible happens quietly. Two screens at once so you always miss half. The most...
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