1978
Sylvester - Step II (Vinyl LP)
This is the record that made the floor at every place worth being. Sylvester wore more sequins than the mirror ball and out-shined it. When the falsetto starts...
Take it home →Room 10
After dark at the Factory. The party you do not clean up.
1978
This is the record that made the floor at every place worth being. Sylvester wore more sequins than the mirror ball and out-shined it. When the falsetto starts...
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1970s
The wide shallow ones are the only shape that looks right holding nothing at four in the morning. They photograph beautifully because they catch the disco light and...
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1979
Chic produced it so it has that clean expensive sound, like champagne that is actually cold. Everyone sang along even the people who came alone. It is a...
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1970s
It is chrome so it matches the mirror ball and the foil on the walls and my hair some years. I never learned to use it properly but...
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1970s
It is a machine that turns one light into everybody, which is my favorite kind of arithmetic. The Factory was already silver so this just kept the theme...
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1979
Giorgio Moroder made a machine that sounds like it is out past its bedtime. I photographed Donna and she was very calm about being on the cover of...
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1981
Grace turned herself into a poster and then recorded an album to match it. She looks like a Warhol I did not get to make, which bothers me...
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2011
Chic played while everyone at the Factory pretended not to dance. He was turned away at the door once and wrote a hit about it, which is the...
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1977
Everybody had this one, which is exactly why I wanted it. When a thing sells that many copies it stops being a record and becomes wallpaper, and I...
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1997
It is the room after the lights came up, which is the part nobody photographs. I recognize most of the names because I stood next to them. Reading...
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1978
The whole band dressed like they were going somewhere better than you, and they usually were. I put this on and the room takes care of itself. It...
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